If you’ve been craving a sonic gut-punch laced with nostalgic angst and ferocious passion, Ben Rankin’s latest single All is Well in Hell might just be the dose of musical chaos you’ve been waiting for. Released on March 14, 2025, the track is a blistering entry from the Canberra-based artist, and it’s a clear signal that Rankin is not here to play it safe—he’s here to scream into the void and make sure you hear him.
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Known for his DIY ethos and relentless drive, Ben Rankin embodies the new wave of solo rock acts who don’t just write the songs—they build them from the ground up. From recording and programming to mixing the track in his home studio, All is Well in Hell is pure Rankin: gritty, intense, and unapologetically personal. The final polish came courtesy of Queensland-based mastering engineer Levi Russell, a trusted collaborator since 2023 who’s helped Ben refine his edge without dulling his bite.
Sonically, the track takes heavy cues from the early 2010s metalcore and post-hardcore scenes. Think the chaos and catharsis of Asking Alexandria, the sing-scream dynamics of A Day To Remember, and that distinct feeling of being 17 years old, pacing your bedroom with headphones on and the weight of the world pressing against your chest. That’s the emotional territory All is Well in Hell inhabits, and Rankin explores it with a mix of defiance and vulnerability.
The title alone sets the tone—ironic, biting, and drenched in the kind of sarcastic despair that defines a certain brand of post-teenaged existential dread. But what’s striking about the track is how it doesn’t wallow. It rages. It fights back. Over distorted guitars and thunderous programmed drums, Rankin’s voice cuts through like a flame, torn between fury and fragility. Lyrically, the song tackles themes of mental exhaustion, societal disillusionment, and internal chaos—but wrapped in hooks sharp enough to stick in your brain for days.
What makes All is Well in Hell so compelling isn’t just the sound—it’s the sense of control within the chaos. Rankin knows exactly what he’s doing behind the desk. His production choices—gritty guitar tones, layered vocals, meticulous plugin work—create a sonic landscape that feels massive, even when you remember this was all built in a bedroom. It’s a modern hard rock track that feels handcrafted, not factory-produced, and that makes all the difference.
For fans of the metalcore revival, this track hits all the right notes. But even beyond genre lines, Rankin’s work speaks to a generation that grew up screaming along to Warped Tour anthems and now finds itself navigating adult life with the same intensity, only with better headphones and a lot more unresolved feelings. All is Well in Hell is an anthem for the burned out, the emotionally overclocked, and anyone who ever learned to scream because talking didn’t feel like enough.
Ben Rankin might be relatively new to the wider scene, but there’s nothing rookie about his sound. With a clear vision, serious production chops, and an undeniable ability to channel personal turmoil into something universally resonant, he’s carving out a space that’s both nostalgic and forward-facing. He’s not just reviving the sounds of a decade past—he’s reinterpreting them through his own lens, and the result is thrilling.
As the final notes of All is Well in Hell fade, you’re left with the kind of adrenaline rush that only truly great rock music can provide. It’s catharsis with a side of chaos—and it hits hard. Whether you’re moshing alone in your living room or just trying to survive another week with your sanity intact, Ben Rankin’s got the soundtrack. And if this is hell, well… all might not be well, but at least the music is loud.
