Glorybots have always pushed the boundaries of sound, blending sci-fi landscapes with cosmic rock riffs to create something truly out of this world. After three captivating albums—Dark Alien Pop (2018), Invisible (2020), and Radiation Skies (2023)—they now bring us Mad End, a 10-track odyssey that lands on April 18, 2025. This fourth full-length album marks a significant evolution in their music, as they dive deeper into the harsh realities of our time. While the previous album emerged in the shadow of the pandemic, Mad End reflects the emotional aftermath of those turbulent years, drawing from a raw and poignant perspective on what it means to exist in an ever-changing world.
Led by the visionary Jalal Andre, the architect behind Glorybots’ distinctive sci-fi rock sound, the band now embarks on a new chapter with a trio lineup that includes Ilya Krisa on bass and Don Gunn on drums. This fresh configuration brings a new energy to their already rich sonic tapestry. Ilya, who joined the band in 2020, has transformed his approach to bass, incorporating techniques that pay homage to the likes of Peter Hook, Carlos Dengler, and Nick Oliveri, infusing Mad End with a unique bass tone that is nothing short of electrifying.
The album opens with “Apnea,” a track that sets the tone for what’s to come. The song’s heavy, brooding bassline and atmospheric guitar create a feeling of tension, mirroring the suffocating uncertainty many of us have faced in recent times. It’s a haunting opener, pulling listeners into the cosmos and immediately making them aware that Mad End is not just a musical journey, but an emotional one as well.
“Be Fair” follows with a more upbeat, yet equally introspective vibe. The rhythmic drive of Don’s drums pairs perfectly with Ilya’s new bass style, adding layers of depth to Jalal’s soaring vocals. The lyrics challenge us to examine our perceptions of fairness in an imperfect world, a theme that runs throughout the album. Glorybots have never shied away from addressing the complexities of human existence, and “Be Fair” is no exception. It’s a call for balance in a world that often feels skewed, a powerful track that both energizes and enlightens.
“Fade” brings a more somber tone, with a lush, ethereal sound that floats in and out of consciousness. The track feels like a gradual descent, both musically and emotionally, as it contemplates the transient nature of time and life itself. Jalal’s guitar work is particularly striking here, moving through delicate, spacey melodies that feel like a soundtrack to a dream—or perhaps a nightmare. The trio’s chemistry shines through, as Ilya’s bass and Don’s drums create an intricate, yet hypnotic foundation for the song.
“In Control” picks up the pace once again, delivering a punchier sound. It’s an anthem for those who crave autonomy in a world that constantly tries to control us. The band’s willingness to blend various musical styles is evident, as this track introduces elements of post-punk and industrial rock, creating a sense of urgency that resonates with the album’s overall theme of reclaiming power in uncertain times.
“Abscond” brings in an almost dystopian atmosphere, its distorted guitars and driving rhythms evoking the sensation of running from something—be it personal demons or the challenges of the modern world. The track’s lyrics are cryptic, but the intensity of the music speaks volumes, perfectly capturing the restless energy of the era.
“Pain Rain” takes the emotional tone of the album even further, exploring themes of grief, loss, and the struggle to keep moving forward. The weathered feel of the song adds to its raw vulnerability, as the lyrics explore the weight of life’s hardest moments. This track showcases the band’s growth, as it feels both deeply personal and universally relatable.
“Levitate” marks a turning point in the album, lifting the listener into a more hopeful space. The music swells with ethereal synths and uplifting melodies, as if urging us to rise above our struggles and find a sense of freedom amidst the chaos. The song’s triumphant sound contrasts beautifully with the darkness that precedes it, offering a sense of redemption.
“Bag of Bones” leans into the more experimental side of Glorybots’ sound. With its haunting, repetitive melodies and layers of electronic textures, it’s a track that feels like it’s drifting through space. The song is both unsettling and captivating, evoking a sense of isolation that speaks to the fragility of the human condition.
“True Love Feeds” brings a sense of warmth to the album, offering a glimmer of hope in the midst of the chaos. The track’s lush instrumentation and soothing vocals create a moment of respite, reinforcing the idea that love—whether romantic or otherwise—can be a source of strength in difficult times.
Finally, Mad End closes with “Colours,” a track that sums up the entire journey. It’s a reflection on the spectrum of human emotion, exploring the highs and lows that define our lives. The song’s layered, expansive soundscape creates a sense of resolution, as if the band has navigated the harsh realities of our time and come out the other side with a deeper understanding of themselves and the world around them.
With Mad End, Glorybots prove that they are not only masters of their craft but also keen observers of the world we live in. This album is an evolution of their sound, incorporating the contributions of Ilya and Don while still retaining the essence of what makes Glorybots unique. It’s a powerful and introspective journey that invites listeners to confront the complexities of the modern world, all while being swept away by the band’s cosmic soundscapes.
