If you’ve been searching for the perfect sonic passport to summer, TEMPLE. BEACH. DISCO. DADDY. is your first-class ticket. The New Citizen Kane, the ever-evolving visionary behind the art-pop and alt-electronic tides, has returned with a remix album that doesn’t just reimagine his past work—it reincarnates it. With 12 sun-drenched tracks, this project dives deep into the shimmering waters of psychedelic disco, flirts with the rhythm of indie pop, and washes ashore with breezy calypso charm. Released on May 9, 2025, this remix collection is more than just music—it’s a mood, a moment, and a movement.

After the dreamy introspection of Tales of Morpheus, Kane knew his next step couldn’t be linear. Instead, he twisted the narrative with a glimmering left-turn that feels like both an epilogue and an invitation to dance barefoot under the moonlight. TEMPLE. BEACH. DISCO. DADDY. is a bold declaration of summer freedom, a remix album that pulses with creativity, confidence, and just enough chaos to keep things interesting.
From the very first track, the album transports you to a cinematic beach party that’s one part mythical temple, one part mirrorball fantasy. The opening remixes unfurl with lush synth textures and pulsing basslines, a curtain of shimmering sound that feels tailor-made for golden hour rituals. Where the original versions once leaned introspective and mysterious, the remixes now glitter with renewed vitality—proof that transformation is not just possible but essential.
Tracks like “Forget The World – Temple Beach Version” and “Disco Love – Temple Beach Version” are standout examples of Kane’s remix alchemy. The former bathes the original’s haunting vocals in reverberating synth swells and tribal percussion, while the latter flips a once-melancholic ballad into an effervescent pop groove complete with steel drums and an undercurrent of funky bass. Kane isn’t just remixing—he’s rebirthing.
Yet what truly sets TEMPLE. BEACH. DISCO. DADDY. apart are the two new tracks, tucked neatly into the flow of the album but bursting with their own unique energy. “Ratbag Joy – Temple Beach Version” could very well be the song of the summer—a glowing, tropical trance of arpeggiated synths and whispered vocals that play like a daydream you don’t want to wake up from. Meanwhile, “A Love Fool” leans harder into its namesake, blending island rhythms with a psychedelic swirl that could make even the most rhythm-averse sway in surrender.
Across all twelve tracks, there’s a sophisticated control to the chaos. The percussion is meticulously layered, from the hand-drummed polyrhythms to the subtle hi-hat sizzles. The guitars—sometimes funky, sometimes surfy—are carefully threaded into the mix without ever overwhelming it. And the vocals? They float like smoke signals across the sonic landscape, guiding you through Kane’s carefully constructed dreamworld.
But don’t mistake this album for pure escapism. Beneath the layers of glitter and groove lies something more intentional—a meditation on change, on release, and on the joy that can only come when you let go. Kane isn’t just making party music for the beach—he’s creating a soundtrack for emotional catharsis, dressed up in sequins and salt spray.
The title alone—TEMPLE. BEACH. DISCO. DADDY.—feels like a mantra, a myth, a provocation. It’s spiritual, sensual, and delightfully absurd, much like the album itself. Kane isn’t interested in following the rules. He’s interested in building worlds. And this one? It smells like coconut oil and sea breeze, and it sounds like freedom.
In an industry obsessed with trends and quick hits, The New Citizen Kane is a refreshing anomaly. He’s not chasing the charts; he’s chasing a feeling. And with this album, he’s bottled that elusive summertime euphoria into twelve tracks of glittering brilliance. Whether you’re sipping cocktails poolside, dancing alone in your living room, or driving with the windows down and the sun in your eyes, this album belongs in your life.
So cue it up. Turn it loud. Let go. TEMPLE. BEACH. DISCO. DADDY. isn’t just an album. It’s an experience. And if you let it, it’ll carry you away—one groove at a time.